Archive for the ‘Art’ Category

I was struck when I saw the initial cut of this film at how the Director, Adam Hootnick, was able to be objective and empathetic about every subject it covered, avoiding caricatured stereotypes, and helping us understand the perspective and motivations of those involved during the Israeli withdrawal from Gaza.  I highly recommend it for any person who wants a better understanding about the Middle East.

UNSETTLED, a documentary feature film following the lives of a varied group of Israeli twenty-somethings during the withdrawal of Israeli settlements from the Gaza Strip, will open for a limited engagement at NYC’s Pioneer Theater on Friday, May 9th, and LA’s Laemmle Music Hall 3 on Friday, May 16th. The film has won a number of festival awards including Jury Prizes at Slamdance (2007) and Sonoma Valley (2008). MTV’s Kurt Loder calls it "remarkable for the balance of its compassion, and for the range of youthful intelligence it reveals," and Ambassador Akbar Ahmed, former Pakistani representative to the UK, calls the film "very important for people in the Muslim world." Special dialogue events have been announced in both cities.

In New York, the 8pm May 13th screening will feature a post-film talkback with Director/Producer Adam Hootnick and Najla Said, actress and writer.

In Los Angeles, the May 18th screening will feature a post-film talkback with Professor Reza Aslan, author of No god but God.

To view a trailer and get ticket info, visit http://www.UNSETTLEDmovie.com

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OneVoice Israel just commenced an exhibit titled "Till White Smoke Emanates" urging the Israeli and Palestinian heads of state to continue negotiations non-stop till they strike an agreement (the only missing ingredient in the leaders’ commitment to "ongoing" but not "uninterrupted" negotiations, as the OneVoice Mandate urges). 

ahalan_wa   DSCN0681

The "white smoke" concept is borrowed from when Archbishops close themselves off and don’t come out of a big hall till the Pope has been selected.  The Exhibit revolves around 24 wood chairs that Israeli artists were asked to transform into statements about this issue.

kise1_wh

Their Exhibit is now on display at Itzhak Rabin Square in Tel Aviv.  Another article about it in Hebrew is here.

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Ovation Cable TV had a special today on Chuck Close, an American artist/painter whose work is extraordinary.  Take a look on google images and in this website.  No less extraordinary is his background and the challenges he overcame along his life, never letting setbacks keep him down, always surmounting tragedies to come out stronger.  This article does a good job describing his life. He is not just an artist on canvas, but a man who exemplifies the triumphs of the human spirit. His work reflects his efforts to push himself to discover new techniques that keep pushing the envelope. 

Chuck Close

[Read more →]

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My friend Andy Komaroff shared this beautiful poem tonight at the rehearsal dinner for my wedding:

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you

But make allowance for their doubting too,

If you can wait and not be tired by waiting,

Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise:

If you can dream–and not make dreams your master,

If you can think–and not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build ‘em up with worn-out tools:

If you can make one heap of all your winnings

And risk it all on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breath a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,

Or walk with kings–nor lose the common touch,

If neither foes nor loving friends can hurt you;

If all men count with you, but none too much,

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run,

Yours is the Earth and everything that’s in it,

And–which is more–you’ll be a Man, my son!

–Rudyard Kipling

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I often worry about how the recent technological changes will affect society. I particularly am concerned about the impacts of constant-feedback-technology (blackberry, cell, email, voicemail, sms, i.m, – you need input, input, input – like the robot in the movie Short Circuit).  Will attention-span-disorder (like I have) become a regular feature of society? Will today’s kids be able to think strategically and long-term?

Some worry about how technology and the advent of the internet will decrease literacy.  People will stop reading books and newspapers.  But the article below provides a really interesting different angle on how tech evolution will just create different opportunities.

[Read more →]

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In the hills of Scottland…

Published under Art, Funnies Feb 12, 2008

clip_image001

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Taken from this article about the Gaza-Egypt border debacle, this picture struck me as a sad allegory not just to the challenges of the Palestinian-Israeli peace process and of building of a Palestinian State, but further to so many of the challenges faced today in the Middle East, from the peace process, to the struggle between tradition and modernity, to the many divides harming the region, to the threats of nuclear proliferation, etc.

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Take a look at this message from Stefan Stagmeister, the famous designer who created the OneVoice symbol

…the entire wall reads "Self-Confidence Produces Results."

IMG_0097

Can you guess how this was written?  Here is a hint.

Click on the "MORE" Tab to the right here to take a look…

[Read more →]

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Mourning Heath Ledger

Published under Art, Leadership, Life, Movies Jan 25, 2008

I am taking a minute to blog about the loss of Heath Ledger, not because he was a famous actor that so many of us found exceptionally talented, but because the one time I randomly met him at the lobby of a hotel in NYC I was struck by how sweet, warm, playful, funny, and down-to-earth he was.  Our world lost a very gentle soul, and I suspect the news of his loss struck so many of us not just because he was famous, but because you could sense his natural goodness.  May his family be comforted by knowing he was a noble human being.

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For those that can read Spanish, below is an excerpt from an article by Leo Zuckerman, an excellent Mexican columnist (who happens to be married to the smart cousin in the family :-) .

For those that can’t read Spanish, just a quick synopsis: The Iranian regime is not content with suppressing their own people, or blowing up embassies and community centers in Argentina or trying to procure nuclear weapons, or trying to be a spoiler to efforts by the Palestinian and Israeli Heads of State to achieve a peace agreement. 

Now they are also trying to impose their censure on artists exhibiting art in Mexican Museums.  They began bullying an artist and museum threatening to issue fatwas against them if they do not bring down a display.  The art at stake by a Moroccan artist is a homage to French painter Gustave Coubert and is based on photographs of human vaginas covered by a contour that resembles a temple.  The Iranian Ambassador was incensed at this and began threatening everyone he could. 

At issue is not whether you or I like the art at sake – I have never seen it.  But whether a retrograde regime that imposes censure on its own people, persecuting homosexuals and lashing out against women who don’t wear a hijab or banning all sorts of open behavior or jailing people that disagree with their views – should have the gull to seek to impose their views on the citizens of Mexico also!!!

I think there is great validity to the view that artists should exercise their judgment and be sensitive to certain core tenets of religions.  The Danish cartoons that infringed on the Islamic ban of portraying the Great Prophet Muhammad (let alone doing so in an offensive fashion) in my opinion were exceedingly insensitive to a noble religion and it is very regrettable that such bad judgment was displayed by those who organized a "contest" about this. 

But the answer is not to use or threaten violence, and it is also certainly not to censure all forms of expression that may offend precisely because artists some times need to be able to express themselves against the injustice or inhumanity of a status quo condition, government or religion and, while it is very sad when people feel they need to offend others, it is far more harmful to prevent all forms of expression that offend those in power.

Now to add insult to injury the Iranian Ambassador seeks to impose his censure in a peace-loving and modest country thousands of miles away from his.

Excélsior / Juegos de Poder
Aquí no, señor embajador

Leo Zuckermann / Martes 27 de noviembre del 2007

Gracias a una oportuna y completa nota de Juan Pablo Proal en Proceso me enteré de que el embajador de Irán en México está exigiendo el retiro de una exposición artística en Puebla. La historia es la siguiente. En la capital poblana se está exhibiendo la obra El origen del mundo del artista marroquí Fouad Bellamine. En ella hay una serie de fotografías de vaginas humanas cubiertas por un contorno que asemeja una mezquita. De acuerdo al autor, la obra es un homenaje al pintor francés Gustave Coubert que en el siglo XIX mostró una vagina desnuda que fue censurada: “Con ese antecedente, el marroquí intentó también hacer una deferencia estética a la vagina por ser una fuente de vida, explica la curadora”.

El embajador Mohammad Hassan Chadiri Abyahen fue invitado a la inauguración del Festival Internacional de Puebla y visitó la exhibición. En cuanto la vio, se indignó, consideró las obras como “superpornográficas” y exigió que fueran inmediatamente retiradas. El artista le explicó que el símbolo de la mezquita al frente de las vaginas “era meramente espiritual y podría interpretarse como una Iglesia católica o judía”. Pero el iraní se enojó más y le reclamó que no tenía derecho a ofender a ninguna religión. Al parecer, la Secretaría de Cultura de Puebla, con la anuencia del artista, decidió desmontar la exhibición de inmediato, lo cual, por fortuna, no ocurrió. Fue entonces que el embajador iraní mandó una carta que vale la pena citar:

“Mientras el mundo musulmán está lleno de auténticos artistas representantes de su propia cultura, invitar a un maniático, vulgar e ignorante y a pesar de todo llamarlo artista a presentar la cultura y arte del mundo musulmán, resulta muy extraño.

“Usar este tipo de fotografías pornográficas, no tiene nada que ver con la cultura y el arte del mundo islámico, fotografías que pueden representar una parte vulgar de algunos ambientes, muy corruptos de algún país del mundo occidental. Una exposición que no es posible exhibirlo en ningún país islámico.

“El autor debería explicar al Mundo del Islam la razón de su acto ofensivo. Es natural que el mundo islámico no existe tolerancia, acerca de insultar a los asuntos Sagrados, por esto es mejor que no se repita esta situación, y es lógico y humano respetar el credo religioso de otros”.

La misiva, además de mal redactada, amenazó con “boletinar” a Bellamine como “enemigo del Islam”. Y ya se sabe qué significa esto como lo ha atestiguado el escritor Salman Rushdie quien ha tenido que vivir prácticamente en la clandestinidad.

La embajada iraní sigue presionando para que se retire la exhibición. Dice estar dispuesta a una crisis diplomática con México. Sería un grave error que el gobierno de Mario Marín e incluso el federal de Felipe Calderón accedieran a las demandas de Chadiri Abyahen. México es un país occidental donde constitucionalmente está protegido el derecho a la libertad de expresión. Si a los religiosos les disgusta este tipo de exhibiciones, pues que no vayan a verla.

Eso es muy diferente a ordenar la censura como efectivamente sucede en los países islámicos. En este sentido, el embajador iraní es un buen representante de su nación donde se piensa que el Estado, dominado por los ayatolás, debe ser intolerante con los “asuntos Sagrados” y decidir qué sí y qué no puede ver la gente. Pero aquí, señor embajador, las cosas son diferentes. En México los artistas tienen el derecho de exhibir sus obras, aunque sean una basura, lo cual lo decide cada quien de acuerdo a su criterio personal.

Irán es un país fundamentalista que, como este caso demuestra, pretende exportar sus creencias. Qué peligroso que estos religiosos intolerantes estén a punto de tener armas nucleares.

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